Alicia Reyes (Extremadura, 1996) is a composer and media artist working across music theatre, site-specific practices, and artistic research.
Her recent musical and multimedia theatre projects engage with postnatural narratives addressing contemporary ecological challenges. She is currently pursuing a docARTES PhD at ACPA Leiden University, where her research explores the repositioning of the human within artistic ecosystems shaped by non-human materialities and species. In parallel, she is affiliated as a researcher with the MetamusicX cluster at the Orpheus Institute in Ghent, Belgium.
She holds a degree in Music (Piano Performance) from the Conservatoire of Badajoz and completed a postgraduate course in New Compositional Techniques at the Hochschule für Musik und Theater Hamburg, with a focus on multimedia techniques for electronic music making. She subsequently earned a Master’s degree in Contemporary Composition and Performance (CoPeCo), during which she studied across multiple European countries.
Her work has been presented at festivals including Ciclo de Música Contemporánea (Badajoz, ES), ZKM (Karlsruhe, DE), Kampnagel’s Nordwind Festival, Blurred Edges and WE PRESENT (Hamburg, DE), The Toy Piano Takes the Stage (Como, IT), Sommer in Stuttgart – Festival Neuer Musik (DE), Neue Musik in St. Ruprecht (Vienna, AUS) or Den elektroakustiska konsertserien (Stockholm, SE).
Reyes co-runs STUDIO NOCLIP, a multidisciplinary collective exploring interactive environments and generative dramaturgies within theatre-making, creating performances that blur the boundaries between reality and fiction. She is also producer and technical director of the Collision Points Festival of Art and Music in Ankarsrum, Sweden.
email: hallo.aliciareyes@gmail.com
Research Catalogue Expositions
Artistic Ecosystems, Reyes, 2025
